• Paper: Fabriano Artistico fine-grained 300-lb., 100-percent cotton paper for medium-sized works, and rolls of fine-grained 80-lb. for larger works
• Brushes: Winsor & Newton brushes made with marten fur (sizes 12, 8, 4, 2 and 00). When she uses synthetics, she opts for Escoda and da Vinci.
• Paints: Viceconte’s work owes its brightness and chromatic clarity to the relatively small number of colors she uses. She turns to Winsor & Newton tube paints, as she says they preserve freshness. She primarily uses aureolin, rose madder, cobalt, ultramarine, burnt sienna and Payne’s gray. With aureolin, rose madder and cobalt, she creates the tones of warm or cool gray that are the foundation of her work. With ultramarine, burnt sienna and Payne’s gray, she shades and depicts darker areas.…