Innholdsfortegnelse for Issue 121 i Today's Quilter

As the year draws to an end, and the nights become darker and colder, there is nothing quite like having a project on the go that you can either sew in front of the television or spend cosy evenings sitting at the sewing machine while listening to your favourite music. With this in mind, we filled this issue with a mix of hand and machine sewing projects. Lynne Goldsworthy brings you an updated version of the traditional Goose in the Pond block. She has used gorgeous autumnal shades, but it would work in any colourway you choose. We are also loving the mini patchwork storage bag by Arounna Khounnoraj. There is nothing like a little improv sewing to get the creative juices flowing. And, of course, this issue we are…

Celebration of Crafts 30 November For one day only, part of the Jane Cobbett Collection of Historic Textiles will be exhibited, which includes beautiful patchwork and quilts. Find workshops, demos and local crafts for sale. 10.30-15.00 Baginton Village Hall, Frances Road, Baginton, Warwickshire, CV8 3AB Contact: jane.cobbett@yahoo. co.uk Bramble Patch Christmas Exhibition 30 November–14 December Come and join the team at their Christmas Exhibition, this is an annual opportunity for students and customers to show off their work. Admision: £2 charity donation 10.00-16.00 Bramble Patch, West Street, Weedon Bec, Northampton, NN7 4QU www.bramblepatchonline.com The Creative Craft Show and The Scottish Quilting Show 6-8 March 2025 Celebrating its 10th anniversary; The Scottish Quilting Show is a world-class showcase providing opportunity for artists across the country to share their inspiring work.…

BEHIND THE QUILT MIX AND MATCH PRINTS “Goose in the Pond is a classic quilt block that combines Nine-patches and half-square triangles (HSTs) to create a simple but striking block. In this quilt design, I decided to turn it on point and combine it with cornerstones for a new take on the design. The partial blocks on the sides of the quilt top add additional interest. I chose lighter prints in the centre of the blocks and darker prints in the HSTs to make the patterns stand out more. This would be the perfect quilt to make from scraps, and all sorts of colour schemes could be put together to make this design really sing.” – LYNNE GOLDSWORTHY You will need ■ Pale prints – Four (4) FQs■ Dark prints…

Introduction This month, you’re being introduced to the first of the main borders, the top border, and you’ll be making the semi-circle edge and adding the vine. I use a method for making bias stems that Karen Styles taught me, which doesn’t involve any tools or an iron – perfect for stitching in a comfy chair when it’s cold outside. Next month, you’ll add the appliqué shapes along the vine using clamshell papers like with block 1. My advice is to mark the block dimensions on the back of your fabric in pencil and to tack a line along all the edges and the vine position. I have recently sewn the whole quilt together and found that by pinning each tacking line to the corresponding tacking line it went together…

• The traditional Churn Dash block is shown in all its glory in pretty Liberty fabrics • Hand piece Carolyn Forster’s Starry Chain blocks using templates, then you can machine or hand sew the blocks together to make the quilt top! Join us at www.gathered.how/todaysquilter…

BEHIND THE QUILT A WELCOME WANDERER “For our final cushion in this seasonal series, I have chosen to depict one of the UK’s most exotic-looking birds, the waxwing. These distinctive birds with their punky head crests can often be seen feeding on the berries of trees such as hawthorn or rowan, and here you can see the waxwing pair about to snatch yet another treat. In the years when there isn’t enough food in their breeding grounds of Russia and Scandinavia, we see larger numbers of waxwings migrate to the UK, a movement which is called ‘irruptions’. As winter is sadly lacking in colourful flowers, I decided to use some classic motifs that bear no relation to actual plants (apart from the holly leaves, of course). The folk art feel…

WAYS TO PLAY WITH THE MAGIC CIRCLE UNITS TO CREATE PATTERNS The bag pattern uses a fairly simple fabric arrangement, but you can make up the units in various ways to create a myriad of kaleidoscopic patterns – making your projects as intricate as you wish. ■ In the bag, two (2) colours have been used for each unit. One (1) for the large circle, the outer frame colour, and one (1) for the centre square colour. The large circle can be cut from a 7in square. If you work from this starting point, you could also make the 7in square out of more than one (1) fabric. Fig i shows the unit when it begins with a 7in HST. You can start with two (2) 8in squares and, using…

BEHIND THE QUILT WEAR WITH PRIDE “Patchwork clothing has always been popular. As a child of the 70s, I got quite used to wearing it. When my children were small, and obviously their mother being an avid quilter, I took immense joy out of making small-scale patchwork dresses and jackets. I even made one of my daughters a stripy scarf using up colourful tights that she had worn as a baby! “I am a quilter first and a dressmaker second, but it seems there has been a huge surge again in the popularity of patchwork dresses, waistcoats and jackets. The question is, where do you start? You could buy a pattern, and there are many brilliant ones out there, but how do you know it will fit you? Well, here…

New York City-based artist Victoria Findlay Wolfe has garnered an international reputation for her award-winning vibrant and inventive quilts that blend traditional quilting with fine art. “When you’re an inquisitive person you don’t know where your curiosity will take you. A quilt could turn out to be traditional, modern, art or a mixture of all three – I don’t discern and let things evolve so the quilt will become what it needs to become,” she muses. AN ARTIST IN THE MAKING A Minnesota farm girl, quilts and textiles have been a constant in Victoria’s life. She says, “As well as farming, my father had an upholstery business and my mother was a seamstress. My maternal grandmother was an avid quilt-maker and her quilts, made from bright crimplene (thick polyester) fabrics,…

You will need ■ Variety of remnant fabrics – to make a 14in x 12in (bag front)■ Waxed canvas fabric – One (1) 14in x 12in and two (2) 3in x 12in pieces■ Plain canvas fabric – Two (2) 14in x 12in and one (1) 6in x 8in (pocket) pieces■ Leather or rope – 1½ yds Finished Size ■ 9½in x 9½in x 4in approx. Notes ■ RS = right side(s).■ WS = wrong side(s). 1 Sew together remnant fabrics to form the front section for the bag. Arounna made hers using the following method. She began making a patched focal section that was approx. 5½in square. Take two (2) fabrics, cut one (1) into a rectangle and one (1) into a triangle. Place the fabrics RS together, positioning the…