THERE IS NOTHING TRADITIONAL ABOUT HANNAH Gadsby. A self-described butch lesbian writer-performer with autism, she engaged and enraged audiences in 2018 with her show Nanette, which Netflix premiered as a comedy special. In the set, Gadsby announced she was quitting comedy midshow, interrogating how the self-deprecating nature of the form had shaped her life. A moving meditation on trauma, gender and comedy as medium, Nanette made Gadsby—a longtime Australian comic with a style by turns dry and visceral—a star. She went on to win a Peabody and snag a book deal.
With celebrity, of course, came the “haters,” who serve as one of the primary points of inspiration in Gadsby’s (surprise!) new show, Douglas. Her detractors, she points out, were mostly men: the straight white men who have established how…
