It can be hard to know where Héloïse Letissier ends and her onstage persona, Christine and the Queens, begins. She’s happy to clarify. “It’s really the same thing,” she says. “Christine is just me, Héloïse, without the boundaries.”
The Nantes-born singer, 28, belongs to a new genre of musicians who eschew the explicit femininity often associated with pop music and instead embrace fluid notions of gender through performance, lyrics and attire; Letissier’s go-to outfit is an androgynous two-piece tailored suit. Her catchy synth-pop debut album, Chaleur Humaine (Human Warmth), went seven times platinum in France and is just now getting her serious attention across the pond. In October, she began her first, much anticipated U.S. headline tour, accompanied by male dancers, her “Queens.”
It’s a lot of attention for someone…
