Flesh
by David Szalay.
Scribner, 353 pp., $28.99
The furtive ghost of Philip Larkin haunts the English novel—the English novel, at least, as written by men. Early in Alan Hollinghurst’s The Folding Star (1994), for instance, the narrator, a bookish, inexperienced private tutor named Edward Manners, enters the “one gay bar” of a small Flemish town and flirts with a tattooed stranger. When Edward strokes the stranger’s arm and says, “I don’t want to read books all day,” the stranger asks, “Why not?” Edward hesitates, and then says, “Books are a load of crap.” The stranger is unimpressed: “You’re a teacher. Books are your life.” And then “he walked away from me, leaving me with nothing but the private and lonely satisfaction of my quotation, which perhaps proved his final…
