Innholdsfortegnelse for Awards Special 16B - June 3, 2024 i The Hollywood Reporter

As a kid, I adored my grandfather. I knew he loved chocolate (the dark kind) and hated ketchup. I knew he enjoyed a good pun and could speak seven languages — around the dinner table it was French. I knew his Steinway was his happy place, and that he made many of the things in his home by hand (like the curtains that hung in his living room, woven on a loom he built in his basement). What I didn’t know about my grandfather was that he grew up one of five siblings in a town in central Poland called Radom; or that he was raised in the Jewish faith; or that he, his parents and his siblings were Holocaust survivors. These were truths I learned at 15, a year…

The Three-Body Problem by Liu Cixin David Benioff and D.B. Weiss turned to the Remembrance of Earth’s Past trilogy to help create their highly anticipated follow-up to Game of Thrones. Alongside Alexander Woo, they worked to parse a TV audience-friendly narrative from the popular, if scientifically dense, odyssey about an encounter with an alien civilization looking for a new and viable planet. All the Light We Cannot See by Anthony Doerr The author of six novels, Doerr won the Pulitzer Prize for his 2014 novel about two teenagers on opposite sides of World War II. The Netflix miniseries — which also follows the tandem stories of Werner, the orphan forced to enlist as a Nazi soldier, and Marie-Laure, a blind girl sending radio broadcasts for the Allied soldiers — has…

Each episode of CBS’ Elsbeth — starring Carrie Preston in the title role, which won her a 2013 Emmy for best guest actress in a drama for the character’s appearance on The Good Wife — follows a similar “howdunit” premise: The audience sees a guest star commit murder, and Preston’s idiosyncratic Elsbeth Tascioni puts together the pieces to solve the mystery and bring the murderer to justice. But Elsbeth’s season finale veers from the formula, as the title character follows the wrong lead with predictably hilarious — and fashion-forward — results. Showrunner Jonathan Tolins breaks down the script.…

Abbott Elementary always spreads its wealth among the seven principal castmembers, but this has been a particularly robust year for Chris Perfetti, who portrays the lovably awkward, overeager history teacher Jacob Hill. In season three, Jacob broke up with his long-term boyfriend, Zach (Larry Owens), watched his best friend, Janine (Quinta Brunson), leave Abbott for a new job, became accidental roommates with his fiery co-worker Melissa (Lisa Ann Walter), hosted an Ira Glassian podcast called This Abbott Life, and got to witness an unexpected concert by Questlove (who also DJ’d the cast’s wrap party in West Hollywood) at the school’s second annual Ava Fest. The recent Hollywood strikes lowered Abbott’s episode count from 22 to 14, but the four-time Emmy-winning ABC mockumentary remained network TV’s sharpest comedy. Like his colleagues,…

On a recent Friday, Richard Gadd ducked into a London pub before seeing his favorite band, The Pogues, hit the stage. A quiet night with friends quickly derailed into a fan frenzy because of the massive popularity of Netflix’s Baby Reindeer, the critically acclaimed limited series that Gadd created and stars in based on traumatic real-life experiences. “It was chaos,” he explains of the scene that unfolded as patrons, one after another, rushed over to share stories about how the seven episodes had affected them. “I thought, ‘Oh, I can’t really go into pubs anymore and expect to sit quietly in a corner and have some food.’ ” A similar situation played out on the plane when Gadd flew to Los Angeles in early May, as the pilots exited the…

At the beginning of Hulu’s Shogun, set in 1600s Japan, English sailor John Blackthorne (Cosmo Jarvis) is taken prisoner by local samurai. While being shipped to Osaka, a storm sends Spanish sailor Vasco Rodrigues overboard, and Blackthorne rescues him. The sequence was filmed to look almost entirely as if it were captured in a single shot, but in reality, “The shot was divided into four executable elements while still retaining that visceral first-person perspective,” explains cinematographer Christopher Ross. The D.P. chose to highlight the sequence because of all the moving parts and departments that came together to re-create the violent sea storm. The result is a combination of practical and visual effects. A crew actually constructed the rear upper deck of the galley, which features the pilot’s quarters and a…