IN A WORLD where NASA’s New Horizons spacecraft has just flown by Pluto, where man’s evolution from homo sapiens to transhuman is now tangible, the arrival of British sculptor Antony Gormley’s Event Horizon in Hong Kong this month—31 weighty human figures placed on buildings and pavements around the tall, small city—is an apt comment on the times. Exhibitionist yet introvert, collective yet solitary, still yet sprinting, ambitious yet nihilistic, minute yet infinite, Youniversal. Gormley’s work is troubling or triumphant, celebration or commiseration, it’s your choice, your reading, your feeling, all part of his participatory approach to life at the aesthetic edge.
Gormley, 65, most famous for his Angel of the North sculpture in Gateshead, northern England, is acclaimed for art that investigates the relationship of the human body to space.…