THE WRITERS AND ARTISTS who loitered around Macdougal Street in the 1950s have been called a lot of things: “irresponsible tea heads,” Allen Ginsberg used to say; “subterraneans,” Jack Kerouac called them; and “real bastards,” according to the artist Mary Frank. To most people, though, they are and will forever be the Beats—a group united not so much by artistic style as by proximity and a desire to drink, do drugs, screw around, write, and repeat.
Where, then, did food fit into the equation? Mostly, it didn’t. To them, it was just “something they put in their mouth,” says Frank, who was married to the photographer Robert Frank, himself a part of the Beat crowd, for 19 years. The restaurants, cafés, and bars they frequented throughout their 20s served more…
