ANDREW LLOYD WEBBER’S Phantom of the Opera arrived from London in January 1988 amid enormous hype, chandelier-crashing its way to seven Tony Awards including Best Musical. With several other big imported shows (Cats, Les Misérables, Miss Saigon), it would reshape Broadway toward spectacle and tourist appeal. “We thought we were hot shit,” says Russell Easley, who got his first job on Broadway as a dresser for the actor playing Raoul, Vicomte de Chagny. “And we were!”
He’s among a small group that stayed with Phantom—then just kept staying. When it ends on February 18, the show’s run will have reached 35 years and 13,909 performances, by far surpassing all previous Broadway records. (It will continue in London, for now, and on tour.) For old-timers like Easley, this is the end…