FOR DECADES, a single word has followed filmmaker Luc Besson: spectacle. Critics, reporters, interviewers, and academics have all used it—both admiringly and derisively—to describe the heady fantasias crafted by the French writer and director, including La Femme Nikita, Léon: The Professional, The Fifth Element, Taken (which he co-wrote and produced, but did not direct), and 2014’s surprise blockbuster Lucy, starring Scarlett Johansson.
Besson’s latest film, Valerian and the City of a Thousand Planets, is his most ambitious: an adaptation of an iconic (in France) comic book, which follows two space cops (played by Dane DeHaan and Cara Delevingne) as they romp through Alpha, a massive extraterrestrial city. We spoke to Besson in his Beverly Hills office about strong female heroines, international film markets, and the power of Technicolor utopian visions…