In the photograph speckled with age, the gaze of the woman is direct. The hands, strong, with long, tapered fingers, hold a scrap of fabric. She wears an apron. A closer look reveals it is more than a modest, domestic icon. It is an artistic statement. The material is common, cheap cotton, embellished by an uncommon exuberance of scalloped edges and large appliqued sunbursts. The sunbursts echo those on two late 19th-century quilts made also by the wearer of that apron, Harriet Powers, an African American woman from Athens, Georgia. Born enslaved, Powers would transcend that to express her powerful, creative vision in stitched squares of fabric.
Her vision appears in a quilt, known as the Pictorial Quilt, in the collection of the Museum of Fine Arts (MFA), Boston. Her…
