Over her long career as an artist and illustrator, Sally Michel (1902–2003) befriended the Abstract Expressionists, earned prestigious residencies at the Yaddo and MacDowell art colonies, and helped forge a new style in mid-century painting between realism and abstraction. Yet to many, she is an unfamiliar name because her accomplishments have been overshadowed by those of the more famous Milton Avery, her husband.
Last year the Mennello Museum of American Art in Orlando, Florida, a state where the couple often traveled for inspiration and relaxation, mounted the first solo museum exhibition of Michel’s work in over 20 years. In late January the show opened at the Morris Museum, in Morristown, New Jersey, occupying three galleries of the historic, Georgian-style mansion designed by McKim, Mead & White.
The exciting show, “Sally…