Sofia Coppola’s films access the sadness of lives that seem drenched in exterior splendour. It’s been 18 years since her upsettingly perfect feature debut, The Virgin Suicides. Since, there have been four features (Lost in Translation, Marie Antoinette, Somewhere, The Bling Ring), an Oscar, a bag designed for Louis Vuitton, an opera directed for Valentino, two children with French musician Thomas Mars and side projects galore. Her life could make the average uncool film nerd weep with envy, but it’s preferable to weep at the elusive emotions she captures on screen. Like Don Siegel’s 1971 film, Coppola’s sixth feature, The Beguiled, is adapted from Thomas Cullinan’s 1966 novel, and we spoke to her about transforming words on a page to lights on a screen.
LWLies: When you’re preparing a script…
