”FULL CIRCLE IS MY CENTRAL PHOTOGRAPHIC PROJECT, SERVING AS A PERSONAL AND VISUAL EXPLORATION OF CIRCULARITY—NOT ONLY AS A RECURRING ARCHITECTURAL MOTIF, BUT AS A DEEPER METAPHOR FOR HUMAN RHYTHM, CONTINUITY, AND RETURN." In a world saturated with spectacle and color, I choose monochrome—not out of nostalgia, but necessity. Black and white cuts the noise and reveals essential architecture—light, form, contrast, texture. Monochrome is not rejecting color, but inviting deeper observation: shadow, symmetry, structure. For me, it is not absence, but presence—where the invisible starts to speak.
Full Circle is my central photographic project, serving as a personal and visual exploration of circularity—not only as a recurring architectural motif, but as a deeper metaphor for human rhythm, continuity, and return. These photographs trace the presence of circles across cities and continents,…
