REVIEW KATRINA SIMON
Marieluise Jonas, Heike Rahmann, Jovis, 2014. 192 pages
The cover of Tokyo Void features a photograph of the city’s heavily constructed waterfront with large, shaggy grassland in the foreground. This expanse of rough, untended grass, with a dirt track worn through its centre, makes up nearly half of the image. The main title, hovering in the clear blue sky, is in white (TOKYO) and black (VOID), while the subtitle floats in white over the grassland. This composition raises some of the complexities explored in this intriguing book about cities and their apparently vacant spaces. While vacant and empty when seen from a conventional perspective on land-use and productivity, on closer examination these spaces are full of qualities and ecological processes, and are latent with potential for social…
