Belinda Blignaut is a master of the in between: the city and the mud, earth and fire, words and performance, the ancient and transient, artefact and artwork. Her studio resembles a museum of clay; hundreds of samples of specimens and soils, clumps of rock, snake skins, dried plants, quartz, and ash and medicinal plants used for glazing.
Attempting to summarise Blignaut's practice is a challenge that would defeat the point. But there are words that can be applied to her pioneering, embodied and experimental work. Words are, after all, its origin. They lie at its core, as does healing in more recent years. From there, the manifestations of her artistic expression grow This basic notion of birth, and rebirth, in cycles, is intrinsic to the work.
Blignaut is an interdisciplinary…
