Sydni Gause begins her mornings in her organic garden, pinching flowers to encourage bushiness, watering, fertilizing, and fighting off pests. Then the Panama City, Florida, artist collects mature specimens, including scabiosa and hibiscus, and heads inside to the studio with her mediums. There, strips of creamy raw silk already tinged with blossoms of mossy greens, smoky blues, and burnt oranges hang about drying. Stepping toward the worktable, Gause begins dyeing another, submerging a square of silk in a solution of aluminum sulfate and then gently wringing it out. She lays the fabric down and arranges atop half of it purple-tinged cosmos, tiny orange tango, violet hibiscus, and rusty smoke-bush leaves, the pigments of which will shift during processing—the solution, known as a mordant, can “sadden” the color, Gause says, deepening…
