DESPITE variations of ownership and minor adjustments to the title, the British Art Fair (BAF) has essentially been offering Modern British work since 1988 and Surrealism has been a constant ingredient. Paul Nash (1889–1946) and Eileen Agar (1899–1991) are often labelled Surrealists, which they were, but there was much more to them. At this year’s BAF (September 26–29; www.britishartfair.co.uk) at the Saatchi Gallery in Duke of York’s Square, SW3, Nash’s Studio (Fig 1), 1929, will be shown by Patrick Bourne & Co of St James’s, SW1, and Agar’s 1976 The Meeting (Fig 2) by the Redfern Gallery of Cork Street, W1. The first, a 22½in by 16½in watercolour, is a result of a visit to Paris during which Nash met Ernst and Picasso and, with its primed, but empty canvases,…
