IT WAS A SWELTERING DAY in Washington, D.C., and George Johnson was running late for an appointment at the James Madison Memorial Building, the massive, bright-white marble box that is part of the Library of Congress. Inside, a high-priced lawyer for Pandora, impatient to move on with a 2016 hearing to set royalty rates for webcasting recorded music, suggested that the three-judge Copyright Royalty Board (CRB) simply call the next expert witness. But the judges decided to wait just a little longer.
Finally, an hour after his scheduled time, Johnson, now 55, burst into the room, drenched in sweat and wearing a “Still Pissed at Yoko” T-shirt. (He was out of suits, and his Metro had stalled.) “It looked like he’d just run a marathon,” remembers Chris Harrison, then…