Kunert’s process of creating sculptures in his studio can take weeks, months, or even years. Meanwhile, he repeatedly contemplates his concept, refining it until he knows how to craft the final scene. He constructs everything by hand, from scratch, like a sculptor. Even while working on it, he remains uncertain of the final outcome, as it evolves during the process. Ultimately, his maquettes reveal his eerie, prophetic thoughts, infused with humour, about our comfortable yet often insecure lives in the 21st century. Hidden within the absurd scenes are high expectations, everyday failures, transience, and death. These scenes, drawn from the external world, act as mirrors of the artist and simultaneously as windows into society. In Live Broadcast, we see a sharp, cynical critique of the television entertainment industry, portrayed as…
