We can all shoot architecture – after all, all you need is a building and it doesn’t really matter about size, grandeur or architectural style. Close-ups, details, quirky angles with converging verticals, night-time shots, the possibilities are near endless. But what if you are shooting for a client, an architect perhaps, who doesn’t want their building to appear to be leaning over like a modern-day Tower of Pisa?
Converging verticals can make a building look very dramatic. But for the client who designed their building to be upright, it has to look, well, upright.
High-quality architectural photography used to be the sole domain of the large-format technical camera, one which allowed movements such as rising front, tilt and rotation, both of the lens panel and the film plane. Today, with…